tag:blogger.com,1999:blog-16013928229053599712024-03-13T15:26:55.276-06:00On WritingFollow me as I embark on new ventures in writing.Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.comBlogger45125tag:blogger.com,1999:blog-1601392822905359971.post-71320625148377890832019-07-15T12:17:00.000-06:002019-07-15T12:17:45.989-06:00Ready to Submit<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-Nj0P22RPNVw/XSzComy2hlI/AAAAAAAAHFQ/KtjiNtsp8l4Lez7g9w0GUs-OLVfuXzWswCLcBGAs/s1600/finished-my-manuscript-typewriter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="287" data-original-width="440" height="208" src="https://1.bp.blogspot.com/-Nj0P22RPNVw/XSzComy2hlI/AAAAAAAAHFQ/KtjiNtsp8l4Lez7g9w0GUs-OLVfuXzWswCLcBGAs/s320/finished-my-manuscript-typewriter.jpg" width="320" /></a></div>
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It’s been a long process, but I’m finally ready to begin
submitting my memoir to literary agents. After more than three years of
writing, editing, receiving comments from readers, and making more edits, I’m
feeling good about the book. I have studied the most effective ways approach
agents and know that I need to follow their instructions for submission
exactly. Let the process begin. I am realistic, girding myself for rejection,
but willing to be persistent. Wish me the best. <span style="mso-spacerun: yes;"> </span></div>
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</style>Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-58468223469591047392018-11-25T17:43:00.002-07:002018-11-25T17:44:55.872-07:00Searching for an Agent<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-qltk72eJLBg/W_tABD3oSbI/AAAAAAAAGV0/Sa-ckSTFM0EpC-JGLSIBfEcD2fHNVVCwwCLcBGAs/s1600/Searching%2Bfor%2BLiterary%2BAgent.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="893" height="182" src="https://4.bp.blogspot.com/-qltk72eJLBg/W_tABD3oSbI/AAAAAAAAGV0/Sa-ckSTFM0EpC-JGLSIBfEcD2fHNVVCwwCLcBGAs/s320/Searching%2Bfor%2BLiterary%2BAgent.jpg" width="320" /></a></div>
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There are
five major publishing houses in the United States. Within each of those publishing
houses are many, many imprints, or subsidiary publishers. If you want to have a
book published by any of these, you must go through a literary agent. With the
very rare exception, major publishers will not deal with individual writers. </div>
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So, while I
am awaiting comments from readers of my memoir, I am researching literary
agents/agencies and their specific requirements. So far, I have created a
spreadsheet of 28 agents or agencies that accept memoirs and that I think are
approachable. I used a couple of websites to find these.</div>
<br />
<ul>
<li><span style="font-family: "symbol"; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><a href="https://www.agentquery.com/default.aspx" target="_blank">AgentQuery.com</a> </li>
<li><span style="font-family: "symbol"; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><a href="http://aaronline.org/" target="_blank">Association of Author’s Representatives</a> </li>
</ul>
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I found the
second resource to be the most useful.
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<br /></div>
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Each time my
search lead me to a specific agent or agency, I went directly to that website
and researched some more. It had to feel like a good fit. </div>
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<br /></div>
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It is not
important to find a local agent as submissions are handled electronically. Most
agents seem to be on the East Coast, followed by the West Coast. </div>
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Quite a few
of the agencies recommended reading <i style="mso-bidi-font-style: normal;">How
to Write a Book Proposal</i>. I purchased the 5<sup>th</sup> edition, which is
by Jody Rein with Michael Larsen and am organizing files of general materials
frequently requested by agents so I can pick and choose according to their
specifications. For example, some of my file titles are <i style="mso-bidi-font-style: normal;">Author Bio</i>, <i style="mso-bidi-font-style: normal;">Targeted Audience</i>,
<i style="mso-bidi-font-style: normal;">What Makes My Book Stand Out from Others</i>,
and <i style="mso-bidi-font-style: normal;">Chapter Summaries</i>. Agency
websites often have general information on book submissions as well.</div>
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<br /></div>
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While
agencies usually require a great deal of information (I’m estimating 40-60
pages), I also need to be able to create some type of introduction that will
convince the agent within the first paragraph or two that my submission is
worth reading. I don’t mean that they want 40-60 pages of my actual memoir;
instead, they mostly want support material to convince them it’s worth their
time. </div>
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So, I will
have my multiple general files on which to draw, but each agent seems to want
something different, so I will regard my files as resources from which I can draw
information. It will be important for me to read and fulfill the exact material
required by each agent. This can be found on their individual websites. </div>
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Wish me luck.
It is a lot of work, so I know I will have to remain dedicated to the process. </div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-78929361792417805672018-10-14T16:48:00.000-06:002018-11-25T17:45:22.840-07:00Why I’m Not Sorry It Took 2 ½ Years to Finish My Memoir<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Fq0pjm9LOt4/W8PGxALw-7I/AAAAAAAAGHM/2MXbboHVk5AmPiBqbh2ExAt3K8PXQhPXwCLcBGAs/s1600/how%2Blong%2Bdoes%2Bit%2Btake.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="441" data-original-width="960" height="146" src="https://4.bp.blogspot.com/-Fq0pjm9LOt4/W8PGxALw-7I/AAAAAAAAGHM/2MXbboHVk5AmPiBqbh2ExAt3K8PXQhPXwCLcBGAs/s320/how%2Blong%2Bdoes%2Bit%2Btake.png" width="320" /></a></div>
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Well, I
finally finished writing my memoir about growing up at our family cabin. It
took 2 ½ years, which is far longer than I anticipated, but that’s okay. The
writing was on my mind for most of that time, and I found that almost every
night as I was going to sleep or first thing in the morning as I awoke, I realized
something else that I wanted to incorporate. Had I forced myself to finish according
to a predetermined timeline, I would have missed out on all those extra
memories that just kept flowing. I also had time to carefully consider the
structure of the book. Because of this, my writing morphed from a simple collection
of stories to something that I hope will have more universal appeal, bringing
in emotions to which others may more readily identify.<br />
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
A couple
days ago, I emailed the completed manuscript to my primary reader—the friend
who first encouraged me to create an outline with a deadline for each section. I
sent the last chapter to him for his comments a year ago. The past 12 months, I
have incorporated his suggestions and continued to combine, delete, embellish, rearrange,
and generally edit my writing. Now I shall await the next comments of this good
friend. Once I receive and incorporate his feedback, I will send the manuscript
off to other friends and family members who have volunteered to read and
comment. While all that is happening, I plan to research literary agents,
hoping to find someone who will help me find an appropriate publisher. I
realize finding a good publisher is a longshot, but nothing ventured, nothing
gained. </div>
<br />
<br />Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-41442782657739098522017-03-27T17:20:00.000-06:002017-03-27T17:20:17.531-06:00Writing an Unforgettable Memoir
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-2oQ2WLptTFg/WNmZfeqIHzI/AAAAAAAAEPM/XwOdL24Ttlc9RapcjX_km-5mOi3iDi-BgCLcB/s1600/memoir.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://1.bp.blogspot.com/-2oQ2WLptTFg/WNmZfeqIHzI/AAAAAAAAEPM/XwOdL24Ttlc9RapcjX_km-5mOi3iDi-BgCLcB/s200/memoir.png" width="200" /></a></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Each time I attend another class at <a href="https://lighthousewriters.org/" target="_blank">Lighthouse Writer’s Workshop</a>, I realize how much more effort I must put into the writing my memoir. This
most recent class, taught by <a href="http://candacewalsh.com/about/" target="_blank">Candace Walsh</a>, was
probably the best so far. </span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">After about nine months of typing away at my computer,
I realize I have recorded about half the stories of growing up at our family
cabin in northeastern Minnesota. Once I get all the stories in place, I think
the real work will begin as I edit, rearrange to make the story flow well, and
work on the craft of writing. People like to read memoir because they like to
see how others solved their problems. </span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"><br /></span></div>
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">The best memoirs include an obstacle that must be
overcome. Examples.</span></div>
<br />
<ul>
<li><div style="margin: 0px 0px 11px;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">The Glass Castle</span></i><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">—How can the author accept that her parents don’t act like parents should?</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Between the World and Me</span></i><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">—How can the author prepare his son for an unjust society where they are in constant danger?</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Licking the Spoon</span></i><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">—How can the author learn to feed herself, nurture her soul, and figure out how to give and receive love, when she grew up in a house where she felt her parents did not see her?</span></div>
</li>
</ul>
<br />
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Some of the concepts I will need to incorporate are</span></div>
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><ul>
<li><div style="margin: 0px 0px 11px;">
The impact of loss through people dying, divorce, and neighbors no longer coming up to the lake. </div>
</li>
<li><div style="margin: 0px 0px 11px;">
Tension, suspense, and conflict dealing with nature and with people. </div>
</li>
<li><div style="margin: 0px 0px 11px;">
Personal reflection—what I saw/experienced and what those experiences really meant. How did they drive my future behavior? How did they transform my life?</div>
</li>
<li><div style="margin: 0px 0px 11px;">
Being at the cabin was such a happy time, and it was lost as I became an adult. How can I resolve the loss of the innocence of childhood?</div>
</li>
<li><div style="margin: 0px 0px 11px;">
Are there other internal and external conflicts I need to explore? </div>
</li>
</ul>
<br />
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">I will also need to flesh out the story through</span></div>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Details, details, details, including lots of sensory images. The reader should feel not only a sense of place, but of time. </span></div>
</li>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Relating the senses to emotions using similes and
metaphors. (i.e., “He felt out of control like a …..”)</span></div>
</li>
</ul>
<br />
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">There are certain universal themes on which I want to
build. If you are at a loss for ideas, do an Internet search on <i style="mso-bidi-font-style: normal;">universal themes</i>. Some that I want to
explore are</span></div>
<br />
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Mortality</span></div>
</li>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"></span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Perseverance </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Family </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Freedom</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Friendship</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Innocence</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Love</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Nature</span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Change </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Self-awareness </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Self-reliance </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Coming of age</span></div>
</li>
</ul>
<br />
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Questions to consider while writing memoir.</span></div>
<br />
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">How much of the story should be embellished? </span></div>
</li>
</ul>
<ul>
<li><div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Am I able to admit that this is my story of what happened, which might be quite different from the memories of others who were there?</span></div>
</li>
</ul>
<br />
<div style="margin: 0px 0px 11px;">
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%; margin: 0px;">Books to read that will help me to better understand
memoir.</span></div>
<ul>
<li><div style="margin: 0px 0px 11px;">
<i>The Art of Memoir</i>, by Mary Karr</div>
</li>
<li><div style="margin: 0px 0px 11px;">
<i>The Faraway Nearby</i>, by Rebecca Solnit</div>
</li>
<li><div style="margin: 0px 0px 11px;">
<i>So Long, See You Tomorrow</i>, by William Maxwell</div>
</li>
<li><div style="margin: 0px 0px 11px;">
<i>Love Medicine</i>, by Louise Erdrich—good example of bookending a story </div>
</li>
</ul>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-76578595046767078582017-02-20T16:39:00.000-07:002017-02-20T16:39:00.530-07:00The Business of Book Publishing<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Last
weekend, I took an excellent all-day class at <a href="https://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a> titled
<i style="mso-bidi-font-style: normal;">The Business of Book Publishing</i>. It was
taught by Shana M. Kelly, a literary agent who currently works for <a href="http://www.einsteinliterary.com/" target="_blank">Einstein Literary Management</a>. Here are my notes from the class.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt;"> </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;"> </span>
</div>
<h3 class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">The
Industry</span></h3>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Over
the years, publishers have merged and merged and merged. Currently, there are
five big publishers: </span></div>
<br />
<ul>
<li>Penguin Random House</li>
<li>Simon & Schuster</li>
<li> Hachette Book Group</li>
<li>HarperCollins</li>
<li>Macmillan</li>
</ul>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Each
of these publishers has numerous imprints, or trade names that specialize in
various demographic consumer segments. <b style="mso-bidi-font-weight: normal;">To
publish in any of these big five houses, the writer needs an agent to pitch a
book. </b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">When
trying to market one’s own book, it is recommended to </span></div>
<ul>
<li>First try to find an agent. Decide in advance the level of your tolerance for rejection. Can you handle not hearing from or being out-right rejected by 10 agents or 100 agents? </li>
<li>If it does not work for you to find an agent, try marketing your book to a medium-size publisher. The medium-size publisher will often work with or without an agent. </li>
<li>Next, try a small publisher. </li>
<li>If none of the above work, self-publish your book.<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;"> </span></li>
</ul>
<h3 class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Preparing
to Market Your Book</span></h3>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Understand
the market. There are basically three different types of fiction books: Literary,
Upmarket, and Commercial. Into which category would your book fit?</span></div>
<ul>
<li>Literary—Analyzes reality. Often contains social commentary, political criticism, or focus on the human condition. Language and excellent writing are important. </li>
<li>Upmarket—Character driven. Appropriate for book club discussions. (My personal opinion: These books often become best sellers, but are not enduring like literary books.) </li>
<li>Commercial—Plain entertainment. Fast paced. Escapism. In the end, everything is tied up in a neat little package of resolution. </li>
</ul>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Decide
who your reader will be—age, gender, geographic location, education, beliefs,
interests.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Determine
your genre. Research the books that sell in this genre. Are there guidelines,
such as length that you should keep in mind?</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">I am
currently writing a memoir. There are sub-genres within memoir. I need to be
able to describe how my book fits within those sub-genres. </span></div>
<br />
Research who publishes books like yours. <br />
<ul>
<li>Explore websites of the big five publishers </li>
<li>Go to bookstores </li>
<li>Engage in social media—follow authors, agents, and publishers on Facebook and Twitter. </li>
<li>Start a spreadsheet of agents and publishers you want to keep in mind when you are ready to submit your book. In the spreadsheet, include contact information, where you heard the person’s or company’s name, and why you think it might be a good match.</li>
</ul>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Can
you compare your book to those by other authors? Determine who represents those
authors. Often this information will be listed in the acknowledgements of the
book.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Work
on a pitch and query letter. Have both a verbal and a written pitch prepared,
and make certain they are different from one another.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<h3 class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Submission</span></h3>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Prioritize
agents into groups from most desired/best fit on down. Send your query to 10-15
agents at a time. Be prepared for rejection. Most agents won’t even get back to
you. (They are swamped with work.) If you haven’t heard from anyone in 2-4
weeks, send another batch.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">The
query letter</span></div>
<br />Do not send anything more than a query (such as a summary or manuscript) unless it is requested. <br /><ul>
<li>Do not send a query letter unless your manuscript is ready. Your manuscript needs to be in good condition in case it is requested. </li>
<li>Be sure to read and follow any submission guidelines on the agent’s website. </li>
<li>Send the query to a specific person. Before sending, be certain that you have current information as people often change jobs in the publishing industry. Read the agent’s bio. Is there anything that connects you to that person? If so, mention it. </li>
<li>Tell the agent why you chose him or her. </li>
<li>The letter should be no longer than one page and should be pasted into an email. Do not send it as an attachment. Many companies have firewalls that will not allow them to open attachments. </li>
<li>In the query, describe your book. Focus on the most unique, intriguing, or sellable part. Don’t try to tell the whole story. Your main goal is to have the agent want to read more. Show your personality. Say to whom the book would appeal and why someone would want to buy the book. </li>
<li>Include a couple of sentences about yourself if it is pertinent to the book. </li>
<li>Include contact information.</li>
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<h3 class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Publishing
Relationships</span></h3>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">An
agent is your business liaison. </span></div>
<ul>
<li>The agent will market your book to publishing companies, then be kept in the loop after that. </li>
<li>It is best to have an agent with foreign rights as that person will get you a better financial deal than the publisher. Make certain that you choose an agent who has contacts with foreign publishers. </li>
<li>Once an agent expresses an interest in your query letter, he or she will request either a synopsis or an outline (chapter titles with description of each chapter).</li>
</ul>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Agents
are knowledgeable about what publishing houses and imprints are accepting what
types of books. The agent will pitch your book to the appropriate editors. Once
a good placement has been found, the editor will make a deal with the agent. A
contract is between you and the publisher, with the agent listed as your
representative. <span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Most
signing contracts are templates, so there is not a lot of wiggle room. The
agent will also help you through the contract process, including the royalty
structure. A typical starting hardcover royalty is 10%; trade paperback is
7.5%. Royalties usually rise as more books are sold. For instance, they might
rise after 10,000 copies are sold and again after 25,000 copies. Most first
time writers are not printed in hardcover, but go straight to paperback. </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Your
agent will take 15% commission out of every check sent to you; 20% for most
subsidiary rights. </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Once
the agent sells your book to a U.S. publisher, he or she will work with
sub-agents who sell other rights, such as audio, translations, or TV/film. </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">You
will be assigned an editor who works with a team of publicists, marketers, and designers.
Your editor will pitch your book to bookstore representatives. </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Additional
Resources </span></h3>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt;">Websites</span></div>
<ul>
<li><a href="http://www.publishersweekly.com/" target="_blank">Publisher’s Weekly</a>—Reports on new deals, trends, bestsellers. Some information on the website is free. A subscription is very expensive. You might want to see if your library subscribes to the publication. </li>
<li><a href="http://www.publishersmarketplace.com/" target="_blank">Publisher’s Marketplace</a>—Use to find agent information and publishing news. Some information is free. The site costs $25/month to subscribe and can be done on a month by month basis. </li>
</ul>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-32570355216531538812016-11-06T20:57:00.000-07:002016-11-06T20:57:00.698-07:00Pitching Your Book to an Agent or Editor<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-VIJA1K6nZwo/WB_0XDrOk9I/AAAAAAAAEAs/c3Zp2mtoPmEG_p_FeC1pKxcntEKm8YqsQCLcB/s1600/book%2Bpitching.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="108" src="https://1.bp.blogspot.com/-VIJA1K6nZwo/WB_0XDrOk9I/AAAAAAAAEAs/c3Zp2mtoPmEG_p_FeC1pKxcntEKm8YqsQCLcB/s320/book%2Bpitching.png" width="320" /></a></div>
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<span style="font-family: "Times New Roman";">Recently, I
attended another workshop at <a href="http://lighthousewriters.org/" target="_blank">Lighthouse Writer’s Workshop</a>. This one
was titled <i style="mso-bidi-font-style: normal;">Pitch Perfect: Sell Your Book
in a Single Sentence</i> and was facilitated by Angie Hodapp of <a href="http://nelsonagency.com/" target="_blank">Nelson LiteraryAgency</a>. While the class was geared mostly for fiction, I tried to adapt it to the
memoir I am writing. My notes from the class follow.<o:p></o:p></span></div>
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<span style="font-family: 'Times New Roman';">First write the
entire manuscript, then make certain it has a unifying factor and appeals to a
wide audience. It should have the following. </span></div>
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<ul>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Character
introduction </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">I</span><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">nciting
incidents </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Turning
point </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Climax </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Resolution</span></li>
</ul>
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<span style="font-family: 'Times New Roman';">Study books that
are comparable to yours. Look at reviews on Amazon and Goodreads to understand
what’s selling and why.</span></div>
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<span style="font-family: "Times New Roman";">Understand your
genre and subgenres. Possible subgenres for memoir include those listed <a href="http://www.swensonbookdevelopment.com/blog/2013/the-many-subgenres-of-memoir/" target="_blank">here</a>. Google <o:p></o:p></span><span style="font-family: Times New Roman;">subgenres for other types of books.</span></div>
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<span style="font-family: "Times New Roman";">Figure out the appropriate
word count for the genre of your book. When talking to agents and editors, tell
them the number of words in your book, not the number of pages. Pages are
determined by the printing process—size of page, type of font, layout, and whether
pictures are included. You can do an Internet search for the appropriate word
count of your book genre. My goal for memoir is approximately 80,000 words.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";"><span style="color: red;"><b>When talking to
someone about the book you’ve written, you will probably have about one
sentence to grab the individual’s attention. </b></span>This includes agents and editors. If
you can hone the description down to one sentence, you will sound highly
competent and confident. Talk about the book in a way that makes the person say,
“Oooh, Tell me more.”<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">In your pitch of
fiction, include </span></div>
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<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Character(s) </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Goal </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Motivation </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Conflict
or tension </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Stakes
(what your character stands to lose if he doesn’t achieve his goal)</span></li>
</ul>
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<span style="font-family: "Times New Roman";"><o:p> </o:p></span><span style="font-family: 'Times New Roman';">In a pitch of
memoir, include </span></div>
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<ul>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Beginning
and end </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Reason
for writing</span></li>
</ul>
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<span style="font-family: 'Times New Roman';">Attend writer’s
conferences where agents and editors will be present. </span></div>
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<ul>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Talking
with them is often included in the price of the conference. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">The
people you will speak to are generally only interested in books you have
completed. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">You
can usually sign up for a 10-minute appointment. During that time, plan to
spend about two minutes talking about your book and eight minutes interacting
with the agent. Include one thing about yourself that will make you memorable.
Be prepared to talk about what inspired you and what made you excited to write
this book. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">While
editors and agents are usually only interested in books that are finished, make
an appointment even if you are not finished. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Go
with questions for the agent/editor. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Agents
and editors often hangout in the bar during down time. Approach them there as
well. Be polite and ask them if you can talk with them about your book. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Do
not get upset about rejection. It is all part of the process of marketing your
book.</span></li>
</ul>
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<span style="font-family: "Times New Roman";"><o:p> </o:p></span><span style="font-family: 'Times New Roman';">Sources for finding
agents. </span></div>
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<ul>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;"><a href="http://www.agentquery.com/" target="_blank">AgentQuery</a></span><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">—online
data base for types of agents </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;"><a href="http://www.writersmarket.com/" target="_blank">Writer’sMarket</a></span><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">—contains
agent lists and other helpful information. Requires a subscription. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;"><a href="https://www.publishersmarketplace.com/" target="_blank">Publisher’sMarket Place</a></span><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">—agent profiles plus all the latest in
the publishing industry. Requires subscription.</span></li>
</ul>
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<span style="font-family: 'Times New Roman';">There are
several ways to let people know about your book. Practice all of them. </span></div>
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<ul>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Synopsis—A
summary that is several pages long </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Pitch
paragraph—Will fit on one page. It may be 2-3 paragraphs long. Looks much like
a book jacket summary. This is what would be included in a query letter. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Elevator
pitch—Talk about your book in the time it would take for an elevator ride. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Logline—What
might appear on a movie poster.</span></li>
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<span style="font-family: 'Times New Roman';">Consult <a href="http://queryshark.blogspot.com/" target="_blank">QueryShark</a></span><span style="font-family: 'Times New Roman';"> for advice on writing query letters to send to agents and editors.</span></div>
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<span style="font-family: "Times New Roman";">When writing to
an agent or editor, never attach a manuscript unless you are invited to do so. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">If you are on
Twitter, you can pitch your book using the hashtags <i style="mso-bidi-font-style: normal;">Pitman</i> and/or <i style="mso-bidi-font-style: normal;">Pitchwars</i>.
Do a Google search on <i style="mso-bidi-font-style: normal;">Twitter Pitches</i>
to find advice on writing these.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">Books to read
for more ideas: </span></div>
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<li><i style="text-indent: -0.25in;"><span style="font-family: "Times New Roman";">Anatomy of Story: 22 Steps to Becoming a Master Storyteller</span></i><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">, by John Truby </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Books
by James Scott Bell, who writes about the writing process </span></li>
<li><i style="text-indent: -0.25in;"><span style="font-family: "Times New Roman"; mso-bidi-font-weight: bold;">Thinking Like
Your Editor: How to Write Great Serious Nonfiction and Get It Published</span></i><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">, by Susan
Rabiner</span></li>
</ul>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-57719188817358568492016-11-03T11:28:00.000-06:002016-11-03T11:28:00.702-06:00Making Chapter Deadlines: Follow-up from My Last Blog Entry<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-ob-a7nr-tzA/WBtzBKlyShI/AAAAAAAAEAc/kxsUTNl7bVIr7abByKi58i7iPkacYTbiwCLcB/s1600/deadlines.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://2.bp.blogspot.com/-ob-a7nr-tzA/WBtzBKlyShI/AAAAAAAAEAc/kxsUTNl7bVIr7abByKi58i7iPkacYTbiwCLcB/s200/deadlines.jpg" width="200" /></a></div>
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<span style="font-family: "Times New Roman";">Good news…so
far, I have made every one of my chapter deadlines. In May, my good friend Jeff
had me create a chapter outline for the memoir I wanted to write on growing up
at our family cabin. Along with the outline, I created due dates for submitting
chapters to him for critique. So far, I have completed five chapters, emailing
each one on time. This has been a wonderful tool of accountability. His
comments, in turn, have been very helpful, mostly suggesting topics that need
additional development. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">The more time I
spend working on the memoir, the more I am enjoying the process. I am amazed at
the detail I am able to conjure up from so long ago. The writing has also given
me an excuse to talk more with my two brothers about our experiences in the north
woods of Minnesota.<o:p></o:p></span></div>
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<span style="font-family: 'Times New Roman';">My ultimate goal
is to write approximately 80,000 words.</span></div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-87075366966244228012016-04-13T20:56:00.000-06:002016-04-13T20:56:30.086-06:00 Writing Tips: The Value of Accountability <div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-jaiPs0hdDZ0/Vw8Ff7CbjTI/AAAAAAAAD3k/qTTaci3RN5UkS_qKqdK6Y3UZ2A2_5ve0wCLcB/s1600/Accountability.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://3.bp.blogspot.com/-jaiPs0hdDZ0/Vw8Ff7CbjTI/AAAAAAAAD3k/qTTaci3RN5UkS_qKqdK6Y3UZ2A2_5ve0wCLcB/s1600/Accountability.jpg" /></a></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">I’ve spent
decades writing vignettes and accumulating lists of story ideas, possible
titles, themes, etc. I write because I love to write. Unfortunately, I never
seem to get my act together to put my notes into a final product. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">Years ago,
Joel Macintosh asked if I would write a book for Prufrock Press based on my
weekly blog. He suggested a very general outline and let me loose. Once I was
assigned an editor, I was given deadlines. The deadlines motivated me to plow
full-force into the project and get it done.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">Since
writing that book, I have had no deadlines and have been accountable only to
myself. It has not worked well. I have continued to write, but have not had a
clear focus. I have written randomly, pondering if I should concentrate on this
project or that project, fiction or non-fiction.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">A few
weeks ago, I had a house full of company. These were all long-term, good
friends. On one of our walks, I talked with Jeff, reiterating my love of
writing, but my frustration with lack of purpose. He encouraged me and
recognized that I need a real person to whom I report. Jeff agreed to be that
person. At once, I was motivated. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">I have decided
to start with a memoir of sorts, based on growing up at our family
cabin/vacation home in a remote area of northeastern Minnesota. After asking
for my travel schedule, Jeff assigned my first two deadlines: </span></span></div>
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</span><div class="MsoListParagraphCxSpFirst" style="text-indent: -0.25in;">
<span style="font-size: large;"><span style="font-family: Symbol;"><span>·<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span></span><span style="font-family: "Times New Roman",serif;">April
15—Submit a rough plan/outline with chapter titles and approximate due dates
for each.</span></span></div>
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<span style="font-size: large;"><span style="font-family: Symbol;"><span>·<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span></span><span style="font-family: "Times New Roman",serif;">May
15—A first draft of a chapter of my choosing.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">Since my
“assignment,” I have traveled quite a bit, but I have also been very busy with
this writing project. I have written in airports, on airplanes, and during
downtime on my travels. I am ready to “hand in” my first assignment in a couple
days, and I am well on my way to completing my assignment for my second due
date.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">In this
memoir, I am grouping events, not chronologically, but by general subject
matter. This is not a story about a dysfunctional family, but one of adventure
and fun family events that are unique. So far, I am enjoying the process of reminiscing.
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<span style="font-size: large;">
</span><div class="MsoNormal">
<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">Primarily,
I want to write this for my grown sons. While they have heard the stories many
times, I feel it is important to put them in written form so they will be
available long after I am gone. I wish I had such a legacy from my parents. While
I am writing the memoir primarily for my kids, I hope to polish it for general
publication. </span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal">
<span style="font-size: large;"><span style="font-family: "Times New Roman",serif;">Deadlines
are what I needed, along with someone willing to be a taskmaster. (I mean that
in the best sense.) Perhaps you have the same need. I wish you luck and would
love to hear your experiences with such a structure. You can relate those
experiences either by commenting here or writing me personally at </span><a href="mailto:carol@bycarolfertig.com"><span style="font-family: "Times New Roman",serif;">carol@bycarolfertig.com</span></a><span style="font-family: "Times New Roman",serif;"> <span> </span></span></span></div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-90229641683878231302015-10-09T16:06:00.000-06:002015-10-09T16:37:25.553-06:00Using the Internet to Promote Your Writing<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-GQ4DukUEvX8/Vhg5ObCWP8I/AAAAAAAADxo/77GeosZMkb0/s1600/Internet%2BPresence.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="169" src="http://4.bp.blogspot.com/-GQ4DukUEvX8/Vhg5ObCWP8I/AAAAAAAADxo/77GeosZMkb0/s200/Internet%2BPresence.jpeg" width="200" /></a></div>
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Several years ago, I attended a session at Lighthouse
Writer's Workshop that consisted of a panel of five literary agents from New
York. They discussed what they look for in writers, how to approach an agent,
and the importance of establishing an Internet presence long before engaging an
agent. In this post are suggestions for establishing your own professional
presence on the Internet.</div>
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Whether you’re prospecting for writing jobs or you want to
promote a book you’ve already written, an Internet presence is essential. This
presence may take the form of a website, a blog, a Facebook page, a Twitter
handle, or a combination of these. </div>
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Make certain that you spend most of your time actually
writing, rather than promoting yourself. There is a fine line to walk if both are
to be done appropriately.</div>
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<br /></div>
<div class="MsoNormal">
Pictures Add Interest. Whether creating a Facebook, Blog, or
Twitter post, a picture will add interest and catch the reader’s attention.
There are free illustrations and photos available on Google Images, but you may
run into copyright issues. You can always post a photo you have taken (get
creative with these), or you can purchase from an inexpensive online stock
photo agency such as Deposit Photos, Photo Spin, or Fotolia. </div>
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<b style="mso-bidi-font-weight: normal;">Websites</b></h3>
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A website is your online business card. It is a place to
show what is important to you. If you are publishing a book, it is especially
helpful to create a website.</div>
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Visit other writer’s websites to determine what you like and
don’t like. Be sure and include your bio and contact information posted in a
prominent place.</div>
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Purchase a domain name from a website such as <a href="https://www.godaddy.com/" target="_blank">https://www.godaddy.com</a>. The domain name
should cost about $10-15/year. You can either pay for hosting or get hosting
free from a service such as Google Sites. If you choose to purchase hosting,
expect to pay less than $10/month.</div>
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<b style="mso-bidi-font-weight: normal;">Blogs </b></h3>
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There are several free sites where you can establish a blog.
As of this writing, WordPress seems to be the go to site. </div>
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Blogs can be used for a variety of purposes.</div>
<ul>
<li>Establish yourself as an expert on a topic.
Focus on one or two topics to build a community of people with your same interest(s).
This approach may also lead to paid writing jobs. Publishers who are looking
for an expert in a specific area may find your blog and approach you.<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span></li>
<li>Provide a place to practice your writing skills
on a regular basis.</li>
<li>Get your name out there. Do not write pieces
that you hope will earn you money; instead, write about related topics. Offer
quizzes, Q&A’s, giveaways, and notes about your ongoing research.</li>
</ul>
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Your blog should be specific, clear, and detailed. A blog
post is often most effective if you start with a hook to “capture” the reader.
Tell a story that will help the reader identify with the content you plan to
write. Incorporate the senses so the reader can picture the scene you are
setting.</div>
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Possible topics for your blog.</div>
<ul>
<li>An occasion—something that you’ve recently done
or witnessed.</li>
<li>An idea—a thought, observation, or rant</li>
<li>A review—a product you’ve used, a show or
exhibit you attended, or book you read</li>
<li>A quiz, top ten list, or other game. Engage the
reader by asking questions and providing a comment area for the reader to
answer. </li>
<li>Posts with titles such as “The Top Ten Ways to
…….” are often popular.</li>
</ul>
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Make certain that there is an easy way to contact you
through your blog. Your email address should be clearly visible.</div>
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If you decide to use WordPress, consider downloading the
Yoast SEO (search engine optimization) plugin at <a href="https://wordpress.org/plugins/wordpress-seo" target="_blank">https://wordpress.org/plugins/wordpress-seo</a>/
to help the Google search engine more easily find your posts.</div>
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<br /></div>
<h3 class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Facebook </b></h3>
<div class="MsoNormal">
Create a page on Facebook where you share professional
information—not personal information. Include posts about your current writing
projects, share writing techniques and tips, include links to informative
articles about writing, etc. </div>
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There are several Internet sites with instructions about
setting up your site. Here are a few.</div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"><a href="https://www.blogger.com/goog_1931444592"> </a></span></span></span><a href="http://www.socialmediaexaminer.com/how-to-set-up-a-facebook-page-for-business/" target="_blank">http://www.socialmediaexaminer.com/how-to-set-up-a-facebook-page-for-business/</a></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span><a href="https://www.standoutbooks.com/professional-author-facebook-page/" target="_blank">https://www.standoutbooks.com/professional-author-facebook-page/</a></li>
<li>Discussion about whether to create a Facebook
Profile or a Facebook Page <a href="https://janefriedman.com/5-reasons-use-facebook-profiles/" target="_blank">https://janefriedman.com/5-reasons-use-facebook-profiles/</a></li>
</ul>
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</div>
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<b style="mso-bidi-font-weight: normal;">Twitter</b></h3>
<div class="MsoNormal">
Many agents, editors, magazines, and journals are on
Twitter. Following their feeds is a great way to learn about what they are
looking to publish. Additionally, Twitter can be used for networking with other
writers. </div>
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Become an “expert” in one or two areas and tweet about those
subjects. Write at least ten non-promotional tweets for every promotional one
that you write. </div>
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<br /></div>
<div class="MsoNormal">
As with all types of writing, make certain that you use a
hook to grab the reader right away. Topics to consider tweeting about include
books, workshops, classes and other material that have helped you be a better
writer. Share about the process of writing and what has and hasn’t worked for
you.</div>
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If you have written a book, include a link to your book in
your Twitter bio. </div>
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Tools to help you be more efficient on Twitter:</div>
<ul>
<li>Use a free service such as <a href="https://www.socialoomph.com/" target="_blank">https://www.socialoomph.com</a> to schedule
tweets or Facebook posts automatically.</li>
<li>Use a link shortening website such as <a href="http://ow.ly/url/shorten-url" target="_blank">http://ow.ly/url/shorten-url</a> or <a href="https://bitly.com/" target="_blank">https://bitly.com</a> so you have more room to write. </li>
<li>Make your tweets easier to discover by using
hashtags. See <a href="http://techforluddites.com/the-twitter-hashtag-what-is-it-and-how-do-you-use-it/" target="_blank">http://techforluddites.com/the-twitter-hashtag-what-is-it-and-how-do-you-use-it/</a>
for a basic tutorial.</li>
<li>If you like someone else’s tweet, you can
retweet it to your followers. See instructions at <a href="https://support.twitter.com/articles/20169873" target="_blank">https://support.twitter.com/articles/20169873</a></li>
</ul>
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(Much of the information provided in this blog post is from
a class I recently took at Lighthouse Writer’s Workshop <a href="https://lighthousewriters.org/" target="_blank">https://lighthousewriters.org</a>, taught
by Jenny Shank. Some of the information is my own.)</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-48006076165888210542015-07-30T22:35:00.000-06:002015-10-08T14:43:46.903-06:00A New Blog for a New Age<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-Lg_era-27pE/Vbr6RDC4P0I/AAAAAAAADtM/TawhVVVFSbg/s1600/index.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-Lg_era-27pE/Vbr6RDC4P0I/AAAAAAAADtM/TawhVVVFSbg/s320/index.jpg" width="320" /></a></div>
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A month ago I turned 70. I realize that many people enter a
period of decline at this age. Even if I do well, many of my friends will not. Everything
I read about the aging process is doom and gloom, painting the worst possible scenarios
that older people must endure. I do not see an established vehicle for
individuals to openly discuss what it is like to move through the final decades
of life. I imagine that, just like any time period, there are positives and
negatives.
<br />
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<br /></div>
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I have many thoughts about this stage of being, yet think it
unwise to talk too much about the subject to my friends and relatives. I am
convinced those are not conversations they want to hear over and over again. My
solution has been to start a blog about aging after 70. The blog has been up
and running since just before my birthday. </div>
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<br /></div>
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The idea for the blog came to me after reading the book <i style="mso-bidi-font-style: normal;">Americanah</i>, by Chimamanda Ngozi Adichie.
<i style="mso-bidi-font-style: normal;">Americanah</i> is about a Nigerian who
comes to the United States. Among other things, she writes an anonymous blog
about the interactions of our African-American population with Caucasians—all from
a Nigerian’s point-of-view. There are two things I liked about the character’s
blog: the anonymity and the fact that she was brutally honest about her
observations. </div>
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<br /></div>
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My new blog is also anonymous. I have told those who are
close to me that the blog is up and running, but I have told no one how to find
it. While they know the general subject manner, they do not know the title or
the platform I am using. The blog is written under a pseudonym, which is quite liberating.
I am free to chronicle my aging experience without worrying about embarrassing
others or myself. I also want to be brutally honest in a way that would not be
comfortable if people knew I was the author. I have not been able to find
anything else on the Internet with the approach I have chosen. My intent is to
describe what it’s like to age physically, mentally, and emotionally.</div>
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<br /></div>
<div class="MsoNormal">
Friends have asked, “Why not just journal in private?” I want
to give others the opportunity to see what goes through the head of at least
one aging individual. I am also hoping that, in time, the blog will start a
discussion amongst people, validate their own feelings and provide better
understanding for those who are younger. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I wonder if you’ll be able to find my blog with the hints I
have provided. Of course, if you do, I will deny that I am the author. </div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-20683569888353063902015-07-09T17:37:00.000-06:002015-10-08T14:45:53.994-06:00Organizing My Notes<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-AtJ1l78JzB8/VZ8Aw44r3GI/AAAAAAAADsY/l-bRgmGfTCo/s1600/organization.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="318" src="http://4.bp.blogspot.com/-AtJ1l78JzB8/VZ8Aw44r3GI/AAAAAAAADsY/l-bRgmGfTCo/s320/organization.jpg" width="320" /></a></div>
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I literally have boxes of notes related to my writing. These
include old journals, slips of paper with ideas for themes, titles, characters,
and story lines, along with pages of writing I have done for parts of a memoir
and snippets of already written stories to weave into a novel. I am in the
process of organizing all of this material into file folders, hoping that by
doing so, I can figure out the best way to present the material in written
form. </div>
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Rereading my old journals is the most difficult part. I used
to sit in bed and write with a spiral notebook and pen, just before nodding
off. I would allow myself about 15 minutes to do so. Unfortunately (or
fortunately), I was never able to adhere to my self-imposed schedule. Usually,
I wrote in my journal during difficult periods of my life. The process was a
cathartic experience and often helped me to work out problems I was having at
the time. Usually the 15 minutes I had allowed would morph into an hour or
more. Finally, I had to stop because I wasn’t getting enough sleep. Now, when I
read those journal entries, I find that they tear away at my heart. Those were
difficult emotional times and I am reliving the experiences through the writing.
This often leaves me feeling depressed. That’s the downside. The upside is that
I realize it is actually good writing if it is able to upset me so much. I
truly captured the feeling at the time. These emotions just might be good
enough to insert into a piece of fiction. (I am not honest enough to put them
into a memoir, as I don’t want to admit to some of the troubles I encountered.)
When writing a novel, I think it would be difficult to evoke real emotion if
one is not experiencing it at the time. Having these journal entries could be a
real asset when creating a larger work.</div>
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One of my biggest writing problems is the quantity of ideas
I have and material I have already created. I can’t seem to get my arms around
it to put it into a meaningful form. I would love to hear how others have
tackled the same problem. </div>
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I have a real need to write. Each morning I start by sending
emails to friends and relatives. It’s a routine, much like brushing my teeth.
The day is not complete without it. I start, meaning to just write a line or
two, soon finding that I’ve written a much longer letter than intended. I would
like to be able to take my love of writing and actually create a larger, more
singular product.</div>
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Writer’s block is not my problem. Creating something
meaningful with my writing is a problem. I am so inspired by the workshops that
I attend at Lighthouse Writer’s Workshop, yet I have not found one workshop that
addresses my problem. I would appreciate some help.</div>
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For now, I will continue organizing my notes, hoping that it
will eventually all fall into place.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-90503865727547231942015-04-18T14:03:00.000-06:002015-10-08T14:46:24.660-06:00 Creating Suspense in One’s Writing<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-CbaAM8zgyuM/VTK3OOezEeI/AAAAAAAADnw/ntg4OXdSAKU/s1600/Benjamin%2BPercy.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-CbaAM8zgyuM/VTK3OOezEeI/AAAAAAAADnw/ntg4OXdSAKU/s1600/Benjamin%2BPercy.jpeg" width="200" /></a></div>
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Yesterday I attended a class at <a href="https://lighthousewriters.org/" target="_blank">Lighthouse Writer’s Workshop</a> <span style="mso-spacerun: yes;"></span><span style="mso-spacerun: yes;"></span>taught
by <a href="http://benjaminpercy.com/" target="_blank">Benjamin Percy</a>. The workshop was on creating suspense in one’s writing. As always, I like to use
this blog as a vehicle to share my notes.
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Aaron Copland wrote an <a href="https://docs.google.com/document/d/1QNTNKkeKAD9FJimUqnZDmsGPpm5NuhByWBshkK32Jzg/preview" target="_blank">article about three different levels of listening to music</a>, with each level involving more
complexity. Most people listen to music for the pure pleasure, but others progress
through their listening, <span style="mso-spacerun: yes;"> </span>analyzing in
detail the musicality of the piece. The same idea can be applied to reading. Most
people read only for pleasure—a good story. When Percy reads, he dissects and analyzes
everything from sentence structure to story form. Percy also does this when
watching movies, pealing back the layers that make the film more complicated
and intricate. By doing this, he is able to determine what makes the story or
book or movie work.</div>
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There are two arcs in every story: The arc of the story that
is told and the emotional arc. The story arc involves conflicts, building to
climax. The emotional arc explores how the story is important and why. We need
to explore both types of arcs to make a story work.</div>
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People today are impatient. Unlike Victorian novels, today’s
reader no longer wants to take the time for the background of a story to build;
therefore, the initial exposition should be very compact. The writer must move
as quickly as possible to an incident that disrupts the story, causing a
conflict—perhaps even in the first page or two. </div>
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Every story has a character that goes through a
transformation. The character may change his looks, thoughts, direction,
character traits, etc. </div>
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Throughout one’s story, the writer needs to create numerous “set
pieces” or crescendos that will be memorable long after the book is finished. Percy
had us quickly and privately list incidents in our own lives that were
memorable. Instantly, I could see that this was a valuable tool. After the
exercise, one of the class members shared an incident that stood out in her
life—“When my mother was taken away in a strait-jacket.” Writing about that
would definitely be a scene that would be remembered long after a book was
finished. Percy challenged us to incorporate our personal incidents into our
writing and to emotionally “mine” the reasons why our “set pieces” were
included in the story. Is there a truth or a metaphor that can be used? The
crescendos of one’s story deserve the most time in the writing process.</div>
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During a strong set point in a movie (think about the shower
scene in <i style="mso-bidi-font-style: normal;">Psycho</i>), the camera quickly
and continually switches perspectives—a shot from outside the shower, from
inside the shower, from a high angle. You might see the scene not only from
different angles but also from the perspectives of different characters. The
writer needs to do the same when creating a story.</div>
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The set point should be action only. The emotional part
should be provided either before or after the incident. Tell a story, have some
thoughts about it. Tell a story, have some thoughts about it. </div>
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Create a story map well in advance of the actual writing.
Keep the climax in mind when thinking about the map. While it is important to
know where you’re going to end your story, put the emphasis on the climax.</div>
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To reach a climax, create a series of failures until you
reach the biggest failure of all. Think about a moment when you really wanted
something. What did that thing represent? Why did it matter? What is the worst-case
scenario that could happen related to this? Percy used <i style="mso-bidi-font-style: normal;">Raiders of the Lost Ark</i> as an example. Indiana Jones wanted most to
find and retrieve the Ark. Early in the movie, we discover that Indy is most
afraid of snakes. In his attempt to find the Ark, he goes through a series of
failures until he reaches the climax, or greatest failure of all. This is when Indy
finds the Ark, but is confronted by the Nazis and thrown into the Well of Souls,
which is filled with snakes.</div>
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All does not need to end well in one’s book. Having multiple
characters in a story, some characters may experience happy, resolved endings
and some might have unhappy or unresolved endings. All do not need to be the
same.</div>
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Have conflicting forces. Good character vs. bad. Good
weather vs. severe. Serious virus vs. health. At first tease people with
danger, then slowly ratchet it up. Introduce the danger on an early page, then
bring it up again at several different points throughout the book, each time
making it more tantalizing. This danger could even be represented by a person
or situation that is “off stage.” Slowly build the expectations of the reader.
This may end in disappointment because the suspense does not meet the reader’s
expectations, but that is okay. It could also leave the reader hanging, never
revealing the significance of the incident(s). </div>
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What does your character want? He must desire something in
every scene. Think of this on a micro basis. It’s like running a marathon. The
runner can’t focus on the finish line as the goal as that would be
overwhelming; instead, he must break the course down into small pieces. First run
to the fire hydrant. Next focus on running to the street sign. As a writer, can
you break the desires of your character into small pieces?</div>
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Have characters moving while expressing what they want. No conversations
on park benches or discussions at the dinner table. <span style="mso-spacerun: yes;"> </span>Instead, have them walking or doing chores. Any
kind of action will do. At the same time, incorporate metaphor. Example: Buying
things for someone may just look like the purchase of items, but it could
really be an expression of love? </div>
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Create triangulation. Three tensions going on at once. </div>
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What are the obstacles in a story that make you keep
reading? One person can have numerous problems. A problem roars into view, then
the author cuts away to something else. The problem appears again pages later
and then again many pages after that. This creates suspense. <span style="mso-spacerun: yes;"> </span>Each chapter should end with reader wanting to
know what happens next, but finding that the following chapter starts with
something completely different.</div>
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The Ticking Clock—A big problem introduced. (Think about the
ticking heart in <i style="mso-bidi-font-style: normal;">The Telltale Heart</i>.)
This problem of this ticking continues throughout the story. The issue may or
may not be resolved at the end. <span style="mso-spacerun: yes;"> </span>Someone
or something is transformed during the process.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-1317893637232933902015-04-18T13:56:00.000-06:002015-10-08T14:46:51.655-06:00This Is It—Time to Stop Procrastinating<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-2kxW-d-ujoE/VTK1xGeF1jI/AAAAAAAADng/CgKRLfZ2mww/s1600/procrastination.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="http://1.bp.blogspot.com/-2kxW-d-ujoE/VTK1xGeF1jI/AAAAAAAADng/CgKRLfZ2mww/s1600/procrastination.jpg" width="200" /></a></div>
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<span style="font-family: "Times New Roman",serif;">How many
times have you promised to stop procrastinating and start writing? I certainly have had my share of promises. This time I am setting up a system so I can be accountable to myself. </span>
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<span style="font-family: "Times New Roman",serif;">I am no
longer saying that I will write when I have time. There will always be
something else that “needs” to be done. </span></div>
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<span style="font-family: "Times New Roman",serif;">I love to
play the piano, but it is difficult to carve out the time to practice. For the
last six years, I have been successful by keeping a time journal of every
minute I practice, with the goal of two hours at the ivories each day.</span></div>
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<span style="font-family: "Times New Roman",serif;">This
morning I started a similar schedule to keep track of the hours that I write. On
the lower level of my house, away from distractions, I have a large room in
which to work. In addition to my desktop computer, the room has lots of empty
wall space. I intend to start filling those walls with an organized system for
posting all the notes I have collected for themes, titles, personality
characteristics, conflicts, techniques to use, vignettes that I have written,
etc. I already have a huge box filled with these items as well as many computer
files. Presently, all my notes are thrown together with no system for
organization. My mind is unable to sort through and digest my ideas without a
system of organization. Hopefully, once these ideas are put in order, common
threads will evolve, and I can begin weaving the threads together into a book. </span></div>
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<span style="font-family: "Times New Roman",serif;">I spend a
great deal of time thinking about my writing, but I need do more than just
think, lest age overtake my ability to do so. </span></div>
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<span style="font-family: "Times New Roman",serif;">I’ve
written two blogs today and hope to also get started on my wall organization before
the sun sets. If anyone else out there has ideas about writing organization and
use of time, I would love to hear them. </span></div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com2tag:blogger.com,1999:blog-1601392822905359971.post-34792069666997974272014-12-07T11:29:00.000-07:002015-10-08T14:37:47.848-06:00Tools to Help Structure One’s Writing <div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-L-Oufyj7KRw/VISYKIIu6LI/AAAAAAAADc8/2FmZWvImiWo/s1600/Rebecca%2BMakkai.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://2.bp.blogspot.com/-L-Oufyj7KRw/VISYKIIu6LI/AAAAAAAADc8/2FmZWvImiWo/s1600/Rebecca%2BMakkai.jpg" width="200" /></a></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
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<span style="font-family: "Times New Roman",serif;">I recently
attended another great class at <a href="http://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a></span><span style="font-family: "Times New Roman",serif;">. This 2 ½ hour session on
structuring a book-length manuscript was conducted by award-winning author
<a href="http://rebeccamakkai.com/" target="_blank">Rebecca Makkai</a></span><span style="font-family: "Times New Roman",serif;">.</span></div>
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<br /></div>
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<span style="font-family: "Times New Roman",serif;">For quite
some time, I have been daunted by the management the huge document created when
writing a book. Rebecca’s class, titled <i style="mso-bidi-font-style: normal;">Build
It up—Blueprints for All Writers</i>, was extremely helpful because it provided
concrete ways for me to organize my work. </span></div>
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<br /></div>
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<span style="font-family: "Times New Roman",serif;">We all
approach writing in different ways. What works for one person will not be best
for another; however, the tools that Makkai provided are a great starting
point.</span></div>
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<br /></div>
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<span style="font-family: "Times New Roman",serif;">Here are
my notes from the class, which I organized for my own use. Hopefully, they will
also be helpful to others.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Planning Files</span></b></div>
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<span style="font-family: "Times New Roman",serif;">Keep files
of random ideas of story lines, titles, notes, questions to consider,
characters, etc. I see myself creating separate files for each of these topics.
I already have a huge box filled with notes, plus many vignettes written on the
computer. Now I need to print everything out and organize it. </span></div>
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<br /></div>
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</div>
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</div>
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<span style="font-family: "Times New Roman",serif;"></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Beginnings</span></b>
</div>
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<span style="font-family: "Times New Roman",serif;">Beginnings
can happen in various ways. Here are some possibilities:</span></div>
<br />
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Start
with normal characters leading normal lives, then introduce an event that
changes everything.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Start
in the middle of the story and then create a flashback.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Don’t
save a big idea for the end; instead, make it known early in the book.</span></li>
</ul>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Outlines</span></b></div>
<br />
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">While
it is important to work from an outline, do not be married to it; instead,
think of it as an itinerary. When planning a trip, it helps to consider where
to stay, which restaurants to try, activities to pursue, and sites to visit;
however, sometimes it is best to be spontaneous. Once at a destination, one may
discover new possibilities and change plans. The same is true with an outline. Use
an outline as a flexible guide.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Don’t
write an outline until about 60 pages into the book. Ideas not previously
considered may develop during this initial writing stage.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: "Times New Roman",serif;">An
outline may take different forms, including writing, pictures, diagrams,
post-its on a wall, a computer document, etc.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Re-outline
later in the writing process to determine what is missing in the story. You may
find holes.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Blind
outline—After you’ve written your story, write down scenes from memory. Compare
this to your actual outline. Is what’s left out essential? Use this information
to find gaps in instances of cause and effect.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Write
a one-page synopsis of your book. (You will need to do this anyway to present
to an agent or apply for a writing grant.) Find examples of synopses on the Internet.
By writing a synopsis, you may more clearly see the structure of your book.
Think about how you would briefly explain your story at a dinner party.</span><span style="font-family: "Times New Roman",serif;"> </span>
</li>
</ul>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Timeline</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif;">A timeline
can be created as the book is being written. In your timeline, actually name
dates for every event. A timeline may be written in traditional linear form, or
it may be documented on a calendar. Track fine points within each event so that
all necessary details are included. Make certain that backstories have been
established so that your tale makes sense.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Revisions and Read-Throughs</span></b></div>
<br />
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Resist
the urge to revise too early. First you need to get all your ideas on paper.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Read-throughs—Once
the book has been written, print out the story on single-sided, double-spaced
paper. You will want to do numerous read-throughs.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Read
the manuscript it as quickly as possible for structure. This is not a final
edit. Write only the most basic notes. Keep a separate file of things that need
to be done later to improve the writing. </span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Take
time off from immersion in the book between read-throughs to clear your mind. </span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Print
out the manuscript differently between read-throughs so that you will view it
with fresh eyes each time. Do this by changing the margins and/or font, justifying
the print, etc.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Color-code
your manuscript by using highlighters, different colored fonts, etc. to use in any
way you find useful. Examples: </span></li>
<ul>
<li><span style="font-family: "Courier New"; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">To
show different points of view</span></li>
<li><span style="font-family: "Courier New"; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">To
indicate what is happening now as opposed to later, helping you to create
balance between the two</span></li>
</ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Another
possible read-through is to make certain the flow of each character makes
sense.</span>
</li>
</ul>
<br />
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<b style="mso-bidi-font-weight: normal;">Characters</b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;"></span></b></div>
<br />
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: "Times New Roman",serif;">Character
maps—Use character maps to show relationships between individuals. What are
their feelings toward one another? Does one character need another character
for a particular reason? How do they interact? When aiming for complexity in a
story, also aim for complexity in these maps. There needs to be conflict
between people. Every individual should want something, perhaps desperately.
Samples of character maps can be found on the Internet.</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Character
arcs—characters change within a story. Map out the arc of each character. (This
could easily be a class on its own. Do an Internet search on <i style="mso-bidi-font-style: normal;">character arcs</i> to have a good
understanding of the possibilities.)</span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Development
of personas should include lots of cause and effect. Rather than having your
book filled with “thens”—a series of sequential events—it should be filled with
lots of “therefores” and “buts”—<i style="mso-bidi-font-style: normal;">A</i>
happened, which caused <i style="mso-bidi-font-style: normal;">B</i> to happen or
even though <i style="mso-bidi-font-style: normal;">A</i> happened, <i style="mso-bidi-font-style: normal;">B</i> came along and changed the outcome.</span><span style="font-family: "Times New Roman",serif;"> </span>
</li>
</ul>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif;">Floor Plans and Maps</span></b></div>
<br />
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: "Times New Roman",serif;">Actually
draw detailed floor plans of structures used in your story. Include the
orientation of main building structures. Make certain that your character is
gazing out the correct window as the sun is rising. </span></li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span><span style="font-family: "Times New Roman",serif;">Map
out gardens and surrounding landscapes so that you have a clear picture of the
places your describe. </span></li>
</ul>
<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif;"><u>Personal
Note:</u> I can actually imagine creating imaginary places and characters before
deciding upon an actual story line. If I have established my buildings,
landscapes, and individuals, and know the general themes that I want to create,
the story may just fall into place on its own.</span></div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-86591314124319725032013-10-27T12:55:00.002-06:002015-10-08T14:48:05.750-06:00The UnWorkshop—Free Support and Writing Instruction<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-oBZ-SpPJ5VM/Um1er_nThEI/AAAAAAAAC-0/0Dq2Nc0Hvfw/s1600/iStock_000019460301XSmall.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="132" src="http://2.bp.blogspot.com/-oBZ-SpPJ5VM/Um1er_nThEI/AAAAAAAAC-0/0Dq2Nc0Hvfw/s200/iStock_000019460301XSmall.jpg" width="200" /></a></div>
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<span style="font-family: "Times New Roman";">The last six
months I have been preoccupied with selling my home and building a new one;
therefore, my writing was put on hold. I miss it and am looking forward to
getting back in the groove. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">Scroll down and
find an earlier blog entry titled <i style="mso-bidi-font-style: normal;">Organizing
and Managing Your Book Manuscript</i>, where I talk about a very helpful class
I took from Doug Kurtz at <a href="https://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a>. Doug
provides an opportunity outside of Lighthouse Writers Workshop that is <b>free to
anyone who wants to participate</b>. I tried it out for the first time earlier this
month and will definitely participate in the future, whenever I am able. It is
called the UnWorkshop and is held on the first and third Mondays of each month,
from 6PM-7PM Mountain Time. Doug uses a teleseminar format, so <b>anyone from
anywhere can participate; all that is needed is a phone.</b> The workshop is
designed as a support group for writers of all levels. The session in which I
participated was <i style="mso-bidi-font-style: normal;">Writing Environment,
Rituals, and Practices</i>. You can <a href="http://www.writelifecoaching.com/images/environment_rituals_practices.mp3" target="_blank">listen to a recording of this session</a> to decide if it is something that you would find helpful.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">The one thing
I have learned from all the classes, seminars, and books I have read about
writing is that there is no one correct way to approach the subject. What works
for one person may be quite different from what works for another person. As I
listened to Doug’s teleseminar, I interpreted his points to fit my own
particular style and needs. Here are my notes to myself. Once you listen to Doug’s
talk, you may draw completely different conclusions for yourself.</span></div>
<ol>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">While
I have always had an office, my new home will have a room that is even more
conducive to serious writing. This is a mindset as much as a physical
configuration. In anticipation, I mentally picture myself in the room, sitting
at the computer and writing. </span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">I am
a very organized person, which I find helps me in all aspects of life, but I
need to remember not to be so organized that the process takes up so much time
it actually gets in the way of putting words on paper.</span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Some
people are able to find short periods of time in which to write, but that does
not work for me. To be efficient, I need large blocks of uninterrupted time
where I can allow my thinking to “get in the zone.” Therefore, I need to create
those large blocks of time. I need to turn off the phone, close email, and close
Facebook. I cannot write with sounds in the background; therefore, no music or
voices.</span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Each
day I need to schedule a time to write, just as if it were an appointment.
Because of other things going on in my life, it is not practical for me to
schedule the same time each day; nevertheless, I need to find some block of
time. Each night, I create a “to do” list for the next day. I will schedule my
writing time as I create the list for the next day. That way, I can find the
time period that will work best for me.</span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Different
people find that they write best at different times of the day. The times that
I know don’t work for me are first thing in the morning, late at night, and at
meal times.</span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">Caution
to myself: Once I start writing it can be difficult for me to stop. It is best
if I don’t schedule a time to write when I need to stop abruptly to go to an
appointment.</span></li>
<li><span style="font-family: 'Times New Roman'; text-indent: -0.25in;">I
write best when there is organization and balance in my life. My house needs to
be clean, and I need to have a regular schedule of exercise, piano practice,
reading, and writing.</span><span style="font-family: 'Times New Roman'; text-indent: -0.25in;"> </span></li>
</ol>
<span style="font-family: 'Times New Roman';">I recommend
that you sign up for Doug Kurtz’s UnWorkshops. If you are interested in tuning
in to future sessions, </span><a href="http://www.writelifecoaching.com/unworkshop-information-opt-in" style="font-family: 'Times New Roman';" target="_blank">sign up here</a><span style="font-family: 'Times New Roman';">. There is no cost, no obligation, and no spam.</span>Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-15287977576553022292013-03-19T15:32:00.000-06:002015-10-08T14:48:46.018-06:00Family Heirloom Project <!--[if gte mso 9]><xml>
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<a href="http://1.bp.blogspot.com/-za4OJQOsTrg/VISVedNrWaI/AAAAAAAADco/fvn7xLQ4KUs/s1600/heirloom%2Bfamily%2Bmemories%2B%232.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-za4OJQOsTrg/VISVedNrWaI/AAAAAAAADco/fvn7xLQ4KUs/s1600/heirloom%2Bfamily%2Bmemories%2B%232.jpg" width="200" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
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<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I recently completed a writing/photo project for my two
grown boys that you might want to consider for your own family. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It’s no secret that I am getting older. I have quite a few
items, large and small that have either been passed down through the family or
have special memories. Eventually, my children will inherit these items. I wasn’t
confident that they knew the stories behind each of the articles, and I wanted
them to know those stories. I also wanted them to understand which of these objects
has financial value and which ones are just sentimental.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I began by purchasing two photo albums—one for each of my
boys—and filled those albums with pictures of each item that I considered
important. I labeled each photo with a number, then created a key for the
pictures. In the key, I explained everything I knew about the piece, where it
came from, and its significance. I also included family stories where
appropriate. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
For Christmas, I gave each of the boys an album along with a notebook filled with the documentation for each picture. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Here are some examples of entries.</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-T-tlr3bmX6Q/UUjXTuQ9pTI/AAAAAAAAC38/NGkG2pb2Nvk/s1600/014.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="http://3.bp.blogspot.com/-T-tlr3bmX6Q/UUjXTuQ9pTI/AAAAAAAAC38/NGkG2pb2Nvk/s200/014.JPG" width="200" /></a></div>
<b style="mso-bidi-font-weight: normal;">#14</b>
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<b style="mso-bidi-font-weight: normal;"><u>Spinning wheel</u></b></div>
<div class="MsoNormal">
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<div class="MsoNormal">
This hand-made spinning wheel was brought to the United
States from Norway by my mother’s, mother’s mother (your great-great
grandmother), Mathilde Hansdatter Bangsund. She entered the United States two
different times: 1889 and again in 1906. I don’t know for sure which time she
brought the spinning wheel. It appears that she was married when she first
entered the U.S. but she didn’t stay long, leaving in about a year and leaving
her husband behind. Somewhere along the line the two must have been divorced,
because when she came to the U.S. the second time, she married the same man
again. My mother told me that Mathilde also had a loom that was brought from
Norway. In later years, both items were stored in my mother’s mother’s attic. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I don’t know what ever happened to the loom, but since there
was no appreciation for antiques for a long time, it probably wound up at the
dump.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Apparently, my mother had been told at one time that she
could have the spinning wheel. My mother did not always get along with her
mother and my grandmother refused to let my mother have the spinning wheel. Alice
was very upset by this. One Mother’s Day, to console her, my father bought her
a spinning wheel at an antique store. It was a very nice gesture on his part,
but it did not fill the void that my mother felt for the original family piece.
Eventually Grandma conceded and let Mom take the treasured spinning wheel.</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-2Fv170SVbvQ/UUjXnCrY8UI/AAAAAAAAC4E/dS-MNykhuLI/s1600/015.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://2.bp.blogspot.com/-2Fv170SVbvQ/UUjXnCrY8UI/AAAAAAAAC4E/dS-MNykhuLI/s200/015.JPG" width="150" /></a></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">#15</b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><u>China doll</u></b></div>
<div class="MsoNormal">
My mother said that relatives in Norway had purchased this
doll to give to her, but never sent it over to the United States; instead, they
sent it when I was born. I understand the hair is human. In 1985 I took the
doll to a store called My Favorite Dolls in Denver. There I was told that the
china doll is an Armand Marsailles #390, made in Germany. At that time, it was
worth about $375. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
When I was still a child, I remember I picked the doll up
and all the limbs fell apart. I was horrified. The bands that hold the limbs
together had rotted away. We took all the parts to a doll hospital and they
fixed it just like new. </div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-2yFpyFdxJCM/UUjX6P626bI/AAAAAAAAC4M/udZp0O6rygQ/s1600/071.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-2yFpyFdxJCM/UUjX6P626bI/AAAAAAAAC4M/udZp0O6rygQ/s200/071.JPG" width="150" /></a></div>
<div class="MsoNormal">
<b>#71</b></div>
<div class="MsoNormal">
<b><u>Ice cream maker</u></b><span style="mso-bidi-font-weight: bold;"></span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">This was one of the
ice cream makers at the cabin and it has many fond memories. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">A couple of us kids
would take the row boat over to Walt Bunn’s place and get a block of ice, which
we would place in a large metal washtub on the bottom of the boat. The ice was
cut out of Hungry Jack Lake every winter (sometimes we helped with the work) and
hauled to the ice house that Walt had built into the side of the hill close to
the lake. The blocks of ice would be covered with sawdust and they would last
all the way through the next summer. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">Peaches were in
season in August, so my mother would follow the recipe for peach ice cream and
pour the liquid into the center metal container, put in place the wooden
paddles, then fasten it in the green bucket, with the crank in place. We would
use an ice pick to chip away at the ice block until the pieces were just the
right size. The chips were placed around the metal container, alternating
layers with rock salt. Then we would all take turns turning the crank. It was
easy at first when we were mixing the liquid state, but as the ice cream began
to freeze, it was harder and harder to turn the crank. Finally, when it was
very difficult to turn, the bucket was covered with a towel and allowed to sit.
</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">Dinner that night
was always very exciting as we were each given a bowl of the world’s best ice
cream. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-weight: bold;">In exchange for the
block of ice, Walt Bunn made sure that we also brought him a bowl of the treat.
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Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-65809401485563277642013-03-17T17:13:00.000-06:002015-10-08T14:49:21.711-06:00A Different Way to Look at Character Types <!--[if gte mso 9]><xml>
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<a href="http://2.bp.blogspot.com/-oUWWIx3gVgc/VISW9Yym27I/AAAAAAAADcw/FwYq7rf7l7k/s1600/persuasion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="153" src="http://2.bp.blogspot.com/-oUWWIx3gVgc/VISW9Yym27I/AAAAAAAADcw/FwYq7rf7l7k/s1600/persuasion.jpg" width="200" /></a></div>
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<br />
<br />
<br />
Rather than think of traditional character types as protagonists,
antagonists, etc., let’s look at characters a different way.</div>
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There are three types of characters:</div>
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<li>Those who influence, or change others</li>
<li>Those who are changed by others</li>
<li>Those who change within</li>
</ul>
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Thinking about these three types of characters has caused me
to think about my own role in life as well as the roles of those who are close
to me. My guess is that, for most of us, our own roles change over time and
circumstance, but for some, one of these three types of character is dominant. Think
about yourself , others who you know well, and famous people who you have come
to know through various media. Who are the people who cause change in others?
Who are those who change because of the influence of others? Who do you know
whose personal thoughts and characteristics have changed dramatically through
introspection? </div>
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I need to consider how I will demonstrate these character
types in the fictitious individuals in the writing that I create.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-79849768569329322302013-03-17T14:31:00.000-06:002015-10-08T14:50:12.398-06:00Organizing and Managing Your Book Manuscript<!--[if gte mso 9]><xml>
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I literally have boxes full of files of writing ideas and
find the idea of organizing all that material into a novel to be daunting.
Therefore, I am always searching for methods that might help me put all my
ideas together. </div>
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When I wrote <a href="http://www.amazon.com/Raising-Gifted-Child-Parenting-Handbook/dp/1593633440/ref=sr_1_1?ie=UTF8&qid=1363543873&sr=8-1&keywords=carol+fertig" target="_blank"><i style="mso-bidi-font-style: normal;">Raising a Gifted Child: A Parenting Success Handbook</i></a><a href="http://www.amazon.com/Raising-Gifted-Child-Parenting-Handbook/dp/1593633440/ref=sr_1_1?ie=UTF8&qid=1363543873&sr=8-1&keywords=carol+fertig"></a>,
I found it very challenging to keep my writing organized. I wanted to include a
lot of information, but also didn’t want to repeat myself. I know that there
are better methods than the one I used of keeping each chapter in a separate
file. </div>
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Because of these dilemmas that I have faced and currently
face, I am always looking for advice from others. Recently I took a three-hour
class at the <a href="http://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a>
titled <i style="mso-bidi-font-style: normal;">The (not so) Dreaded Outline</i>
and taught by <a href="https://lighthousewriters.org/person/facdetail/person/8200/name/doug_kurtz_ma/" target="_blank">Doug Kurtz</a>.
It was helpful. I like to summarize the classes that I take on this blog both
for my own use and, hopefully, others will find it useful as well.</div>
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In this workshop, a concept of outline was used that is far
different from what I was taught in school, where we used Roman numerals,
letters, numbers, etc. to plan in detail and in advance what would be written. Instead,
Kurz taught the concept of outline as interactive and ever changing, going back
and forth between a planning tool and a means to modify and validate the
organization of spontaneous writing. This “new” organizational tool allows the
writer to </div>
<br />
<ul>
<li>Plan the overall plot and individual scenes</li>
<li>Check if writing that has already been done can
be logically outlined to make certain it flows properly</li>
<li>Go back and forth between the two, using the
process to refine one’s writing</li>
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Kurtz builds his outline around the scenes of his story. He
sees each scene as an arc, with a beginning and end.
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<a href="http://2.bp.blogspot.com/-sFSMglubWb8/UUYlo1cCeMI/AAAAAAAAC3M/rC7970-hJL8/s1600/kni039.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="96" src="http://2.bp.blogspot.com/-sFSMglubWb8/UUYlo1cCeMI/AAAAAAAAC3M/rC7970-hJL8/s320/kni039.jpg" width="320" /></a></div>
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Each scene (much like a brick in a wall), is integral to the
story. These “bricks” are the “show me” parts of the story, held together by
the “tell me” transitional material (much like mortar). As examples, Kurtz
cited Virginia Wolf’s stories as heavy on mortar, while Dan Brown’s are heavy
on bricks. </div>
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The individual scenes, when joined together, create the plot.
A scene (usually a chapter) has the following characteristics:
</div>
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<ul>
<li>Setting</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Emotion—this is what really helps the reader
identify with characters and must always be included</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Moves the story along</li>
<li>Develops both characters and conflicts, creating
changes in the storyline</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Moves the story through “doors” that cannot be
passed through again—just as we each make choices in life that are often
impossible to change</li>
</ul>
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Each scene arc with beginning, development, and ending, overlaps
with the preceding and following arc. Since each scene contains new conflicts
or changes, it sets up the succeeding arc with the necessity to respond to that
conflict—thus, the overlap.</div>
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Conflict or tension may be a struggle within or with others.
It is what drives the story and may be portrayed in several ways:</div>
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<li>Internal</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>External</li>
<li>Inter-personal</li>
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Each scene has a goal/desire or want/intention, with
something standing in the way. It involves a complication or obstacle and is
driven by action and emotion.</div>
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The plot has an overriding goal that is made up of many
scenes, each with a sub-goal.</div>
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Kurtz uses the software <a href="http://www.literatureandlatte.com/scrivener.php" target="_blank">Scrivener</a>
to outline, organize, and write his books. My research on the Internet found
many positive reviews for Scrivener. While I have not yet purchased and
downloaded the program (very reasonable cost), I have emailed the company a
couple of times and have been very impressed with the quick response, which has
been thorough and individual.</div>
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Using Scrivener, the writer is able to maintain several
outlines for a story at once and can be organized according to individual
needs. </div>
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Concepts to include in the outline for chapters/scenes might
include</div>
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<ul>
<li>Point of view—from which character’s point of
view is this scene written?</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Setting—brief description</li>
<li>Timeline—day, date, year, time of day</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Summary</li>
<li>Goal(s) of the character</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Initial emotions</li>
<li>Complications</li>
<li>New emotions</li>
<li>New goals—this sets up for the next scene</li>
<li>Section to contain revision notes—what the
writer needs to go back and fix later
</li>
</ul>
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Notice that Kurtz does not use any Roman numerals, letters,
numbers, etc. He does not plot out every little thing and the exact order in
which it will happen; instead, he merely lists his objectives for each scene by
category, and it does not need to be long and detailed. It just gives him an
idea of where he is going and why. </div>
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<br /></div>
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Because the backstory (a literary device that provides history
and background for the story) bubbles up into each scene, its pieces should
have a separate outline. This is part of <span style="mso-spacerun: yes;"> </span>the narrative summary or “mortar” of the
story. Outline elements might include</div>
<br />
<ul>
<li>How will it be used as a transition device? </li>
<li>Threads—little stories that wind through the bigger story </li>
<li>Stakes—why does your character want/need something? </li>
</ul>
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Scrivener also allows you to color code various sections if
that would be helpful.</div>
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<br /></div>
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I think that the methods Kurtz uses will be helpful for me.
I am still not sure if I will start with a big idea (plot) or if I will write
many scenes and then see how I will weave them together. Learning about the
methods that successful authors use has taught me one thing—there is no one
correct way to construct a book. I appreciate seeing the many choices that are
out there and then either picking one that will work for me or even creating an
original organizational method of my own.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-31602745383673787672012-06-15T20:11:00.000-06:002015-10-08T14:52:01.082-06:00Agent Forum: The Business of Books<!--[if gte mso 9]><xml>
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Today I attended another great workshop put on by <a href="http://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a>. This workshop, <i style="mso-bidi-font-style: normal;">Agent Forum: The
Business of Books</i>, was part of the Lighthouse Writers Workshop annual Lit
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A panel of four New York-based literary agents gave advice
and answered questions. This is what I gleaned from the workshop. </div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Publishing houses make decisions by committee.
An editor may love a book, but the marketing team may reject it. Most acceptance
and rejection decisions made are very subjective.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Agents establish and foster relationships with many
editors over years—often over lunch. These relationships are very valuable when
the agent wants to pitch your book to a publishing house. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Often books are<a href="http://www.dailyfinance.com/2011/02/19/bidding-for-authors-when-books-sell-at-auction/" target="_blank"> sold at auction</a>. This occurs when more than one publisher is interested in the book. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Markets are unpredictable. After an author signs
with an agent, it may take one day or 1 ½ years for a book to sell to a
publishing house. An agent will not agree to represent a book/author unless he
is confident that he can sell it.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Agents hope to build good relationships with
authors that go on for years and produce multiple books. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>If you want to keep up-to-date on the publishing
industry, check out <a href="http://lunch.publishersmarketplace.com/" target="_blank">Publishers Lunch</a>.
To see the full text of articles, you will have to join for $20/month. If you
do not wish to pay that, you can still learn a lot by just viewing the
headlines for free. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span><a href="http://pred-ed.com/" target="_blank">Predators and Editors</a> is a website that provides authors
with cautions about literary agents. It also lists agencies, marking the ones
that are not recommended. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>When you are ready to market your book, find published
books that you like that are of a similar nature or genre. Check the acknowledgements
for the name of the agent who worked with the author. When approaching that
agent, be sure that you mention the book that you liked. Agents like
recognition just like the rest of us. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Look for submission guidelines at the website of
the agent you are pursuing. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Submit your query to many agents at the same
time, but make each submission look personal. Do not send a mass email.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Some agents want to receive a manuscript that is
already in perfect condition. Others will help the author go through many
revisions. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Before signing with an agent, ask “How do you
envision us working together.” Agents have many different approaches. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>Building a platform before submitting your
manuscript to an agent will increase your credibility. Publish articles; write
a blog; create a website; use Twitter, Facebook, and other social media to
promote your professional writing ability. Publish an essay in <i>The New York
Times</i> <a href="http://www.nytimes.com/2010/12/21/fashion/howtosubmit_modernlove.html?_r=1&ref=modernlove" target="_blank">Modern Love</a>
column. Write a story for <a href="http://www.thisamericanlife.org/about/submissions" target="_blank">This American Life</a>. Establish this platform well in advance of contacting an agent.</li>
</ul>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com1tag:blogger.com,1999:blog-1601392822905359971.post-35696072875359183592012-04-15T17:24:00.000-06:002015-10-08T14:54:44.378-06:00The Story You Have to Tell: Writing from the Urgent Place<br />
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Today I attended a three-hour seminar with author <a href="http://www.cherylstrayed.com/" target="_blank">Cheryl Strayed</a>, whose book <a href="http://www.amazon.com/Wild-Found-Pacific-Crest-Trail/dp/0307592731/ref=sr_1_1?ie=UTF8&qid=1334526669&sr=8-1" target="_blank">Wild</a>
just finished its third week on the New York Times Best Seller List. The
seminar was held at the <a href="http://lighthousewriters.org/" target="_blank">Lighthouse Writers Workshop</a> in Denver,
Colorado. Every session I have attended at the Lighthouse Writers Workshop has
been excellent.</div>
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It is difficult to summarize a three-hour seminar because I
cannot convey all the wonderful examples that were provided to illustrate the
points of the author; instead, I will just list the general gist of the
session. </div>
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Strayed highlighted several points:</div>
<ul>
<li>Become the writer that <u>you</u> really are. (i.e., Don’t
try to imitate others.)</li>
<li>Be bold enough to share very weird things that you think/do.</li>
<li>Trust that the risky, emotionally scary writing that you do
is your best writing.</li>
</ul>
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The author led the group through a series of exercises that
you may want to try yourself or with your students. We were given about ten
minutes to complete each assignment.</div>
<ul>
<li>List all the things you want to write about.</li>
<li>Your story</li>
<ul>
<li>What is the question at the core of your plot?</li>
<li>What is the universal question you want to ask? (Strayed
came back to universal questions over and over again. It is the universal
questions that allow the reader to identify with the incidents and emotions
that the writer relates.)</li>
<li>What happened?</li>
<li>What is the meaning of what happened?</li>
</ul>
<li>Write a piece where your character shows what he or she is
feeling through actions. Don’t explicitly tell the reader what the character is
feeling.</li>
<li>Choose a talisman (see below in bold) and write a piece
incorporating that object. Use the talisman to express a universal emotion that
is conveyed in your writing without explicitly describing that emotion.</li>
</ul>
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Other points made by the author.</div>
<ul>
<li>Find the extraordinary in the ordinary. (Common, everyday occurrences
can be used to illustrate very broad themes. I kept thinking about how two
things I enjoy—golf and mountain biking—can be used as metaphors for life.)</li>
<li>While fairy tales usually end with the line “...and they
lived happily ever after,” your writing should end with the invisible,
unwritten line, “...and nothing was ever the same again.”</li>
<li>Initially write everything, even the high risk things you probably
wouldn’t want your family or friends to know. You can always scale back later.
If writing a memoir, there are certain privacy issues you may have to consider,
but don’t consider them until you have everything written down. </li>
<li>Consider your character’s</li>
<ul>
<li>Ideal self—the image he has of himself</li>
<li>Actual self—the true reactions he has to a situation that,
in reality, is probably quite different than his ideal self.</li>
<li>Code—what it is that your character personally thinks or
thinks society requires of her. How might that change during the story?</li>
<li><b style="mso-bidi-font-weight: normal;">Talismans</b>—objects
in the character’s life that may act as metaphors for a universal question or
theme.</li>
</ul>
<li>Writing can be a very emotional experience. During difficult
scenes, the author often sheds a lot of tears.</li>
<li>Through the writing process, you may discover much about
yourself. You may find that the writing helps you to see emotions and thoughts
you have suppressed.</li>
</ul>
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Strayed feels that there are many levels of writing.
Beginning writers usually write only about the first levels of writing listed
below. As a writer becomes more advanced, he moves deeper and deeper into the
story, moving farther and farther down this list.</div>
<ul>
<li>What happened</li>
<li>What it meant (the internal story)</li>
<li>What else does this remind you of?</li>
<li>What is the cultural story?</li>
<li>What is the ancient story? (Relating the writing to the
stories and myths of old.)</li>
<li>What is the generational, racial, gender, etc. story?</li>
</ul>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-32227317347179620322012-04-14T16:54:00.000-06:002015-10-08T14:56:36.701-06:00Lessons from Oral Storytelling<!--[if gte mso 9]><xml>
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As a teenager, I remember sitting around a campfire while someone from the group told a ghost story. By the time the story was finished, I was so frightened, I didn't want to move. The thought of walking back to my cabin through the dark forest was terrifying.</div>
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In the article <a href="http://online.wsj.com/article/SB10001424052702304537904577277324288527372.html" target="_blank">The Irish Fireside as a Fiction Workshop</a>, <span style="mso-spacerun: yes;"> </span>novelist Frank Delaney uses Irish oral
storytelling as the greatest teacher of writing. The tradition of oral storytelling was practiced at Irish firesides for millennia. There are three lessons that
he feels can be learned from this.</div>
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<b style="mso-bidi-font-weight: normal;">Lesson one:</b> Dance
with the language. The Irish storytellers were “drunk with words” as they
painted detailed pictures with their tales.</div>
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<b style="mso-bidi-font-weight: normal;">Lesson two:</b> Work
your material. Embellish, embellish, embellish. Don’t be afraid to extend your
writing with “back story,” giving your characters a long ancestry.</div>
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<b style="mso-bidi-font-weight: normal;">Lesson three:</b> Believe
your story. “Even if it’s far-out fantasy fiction, behave as though it were
journalism.”</div>
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I like Delaney's ideas. Picture your story being told at the fireside by a roving
Irish storyteller, mesmerizing his listeners as he makes fiction seem like a
true tale that he has experienced. Read your writing aloud. Is it convincing to
you and others?</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com0tag:blogger.com,1999:blog-1601392822905359971.post-85626820970768431552012-03-25T10:02:00.001-06:002015-10-08T14:59:16.950-06:00Start a Commonplace Book for Your Writing<br />
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I love the idea of keeping a <a href="http://www.poets.org/viewmedia.php/prmMID/5637%20" target="_blank">commonplace book</a> for writing. A commonplace book is a journal used to copy favorite poems and
quotations for one’s own enjoyment. Decades ago, I used to write down meaningful
quotations from books that I read. I still keep those notes in a file and
occasionally refer to them. What I found meaningful about the quotations back
then is still applicable to my life now. The quotations are also an interesting
study of what is pleasing to my “ear” and mind—what makes the beauty of the
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As I go forward, I want to create a system for not only
writing down quotations, but for keeping a list of interesting vocabulary. With
the vocabulary list, I intend to include the title of the book where I found the
word, its meaning, and the sentence where the word was included. I love books
that have words that are not in my everyday vocabulary and would like to save
those words for any piece of fiction that I write in the future to add interest
for the reader. The list will also be a record of the growth of my own
vocabulary. (I never want to stop learning.)</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com1tag:blogger.com,1999:blog-1601392822905359971.post-20934987936766259362012-03-15T11:55:00.000-06:002015-10-08T14:59:49.853-06:00New Gifted Education Blog Launched<!--[if gte mso 9]><xml>
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<a href="http://3.bp.blogspot.com/-CkIeRPh2_nk/T2IsPP6O3XI/AAAAAAAACPY/uPF3IB9NR3E/s1600/NewBlog1.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-CkIeRPh2_nk/T2IsPP6O3XI/AAAAAAAACPY/uPF3IB9NR3E/s200/NewBlog1.png" width="200" /></a></div>
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When I first started this blog last August, I stated the
following as one of my writing goals:</div>
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Joel McIntosh, publisher of
Prufrock Press, has given me permission to use the content of the 6 ½ years of
weekly blogs that I wrote for <i style="mso-bidi-font-style: normal;">Prufrock’s
Gifted Child Information Blog</i>. I would like to rearrange that material,
eliminate outdated information, and create a “best of” resource for parents
and/or teachers. I won’t know quite what format that will take until I play
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After playing around with a number of ideas about ways to use
the content from the Prufrock blog, I finally came up with a solution. Today I
am pleased to announce the new <i><a href="http://peakeducationalresources.blogspot.com/" target="_blank">PeakEducational Resources </a></i>blog,
which will update and redo the enormous amount of content that I have amassed. Most
of the information I have is not only still very relevant, but essential. I am
eliminating content from the previous blog that is outdated, and updating
information when necessary. Both parents and educators will find the resources
on the new blog to be very helpful. I plan to add entries as quickly as
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If the subject matter of the new <i>Peak Educational Resources</i>
blog meets your needs, I hope you will subscribe to one of the feeds. Please
note that the blog also has a search option, so if you are looking for
information on a particular topic, you can use that feature.</div>
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I hope you will help spread the word about this new, rich
resource.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com1tag:blogger.com,1999:blog-1601392822905359971.post-49654623032861602412012-03-07T20:33:00.000-07:002015-10-08T15:01:24.429-06:00Writing Workshop with Andre Dubus III<!--[if gte mso 9]><xml>
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I recently attended a three-hour workshop led by Andre Dubus
III, author of <i style="mso-bidi-font-style: normal;">House of Sand and Fog</i> (which
was made into a movie) and several other books.</div>
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Dubus had us do a number of writing exercises that
concentrated on including lots of sensory detail. This was to illustrate his
belief that stories should be character driven, not plot driven. According to
the author, there are four methods of creating characters:</div>
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<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Looks—where the character lives and what is in
his pockets.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Speech—what he says, how he says it, and what is
not said.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>Actions—gestures, how the character moves, what
he does, and how he reacts to others.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Interior life—what he remembers and fantasizes
about. </li>
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Indirectly, characters are developed by</div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>what one character says about another.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>the narrator telling you what’s happening. </li>
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Other things that I learned about the author’s writing
techniques include the following. He</div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>writes five days a week, though he didn’t say
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<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>reads poetry before he starts writing—I assume
as creative inspiration.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>doesn’t outline his stories before writing. He
feels that outlines hamper his imagination. </li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>feels that the storyteller should not ask what
happened, but ask what it is like to be in a situation.</li>
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To be a good writer, Dubus feels that you must</div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"> </span></span></span>have great curiosity about why man does what he
does.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>be emotionally truthful in your writing.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>be comfortable staying in a state of
uncertainty.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>be willing to accept whatever comes as your
story unfolds.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"></span></span>be willing to take risks and fail.</li>
</ul>
<div class="MsoNormal">
Here are examples of some of the writing exercises we did.</div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Picture a porch—list everything that comes to
mind as you think of this porch. Review the list and then incorporate some of
the items on the list into your writing.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Picture a room—list all of the objects you “see”
in this room. Again, review the list and include the important objects into
your writing. Remember to include the emotions that these objects evoke.</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>List ten people—go back and write at least three
sensory images for each of those people. Choose one of the people and write
about that person developing the sensory images.</li>
</ul>
<div class="MsoNormal">
After we finished each of these writing exercises, people
read their pieces on a voluntary basis. It was amazing how much we learned
about each person from his writing. The writing was so revealing because the
participants took Dubus to heart and were very honest with their emotions. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I don’t think any of us experienced writer’s block. In fact,
the vast majority of people had a difficult time stopping when it was time.</div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com1tag:blogger.com,1999:blog-1601392822905359971.post-17377034413041926112012-01-26T07:00:00.000-07:002015-10-08T15:01:52.529-06:00Choose Your Own Adventure Books for Adults<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">When my kids were young, they loved the Choose Your Own Adventure Books series. At the end of each chapter, the boys were faced with a decision, usually surrounding the main character. If you think the character should do this, go to page 56. If you think the character should do that, go to page 23. The book could be read over and over, taking different paths each time. Sometimes the ending would be the same, no matter what path the character took, and sometimes the endings would be different. <br /><br />I've always thought that this would be a great concept for a series of adult books. After all, aren’t we constantly faced with choices? Do you sometimes wonder, what would have happened if I had gone to a different school? If I had inherited a lot of money? If I had shown the good sense to say no to that person? If I had driven down a different street? Rather than providing choices to these questions at the end of each chapter of an adult choose your own adventure, I propose providing choices at the end of each book. Imagine that a single book starts with a student graduating from high school. At the end of the book, that person might be faced with the following choices. Should I </span><br />
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<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">go to college? </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">get married? </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">go into the military? </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">travel the world? </span></li>
</ul>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">The reader would then have a choice of four books to read as a sequel. While the first book was written by Author One, the second book might be written by Author Two. The reader could choose to follow a single author through a whole string of books or the reader might choose to go back and read the path taken when a different choice was made. <br /><br />This could get very complicated (and interesting) if plotted out ahead of time. Choosing several different paths may ultimately bring the main character to the same scenario later in his life or each path might come to a completely different conclusion. <br /><br />Just think of all the choices we make in our lives as adults about </span><br />
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<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">education </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">relationships </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">children </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">career paths </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">travel </span></li>
<li><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">other interests </span></li>
</ul>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">The possibilities could go on and on. <br /><br />I envision this as a well planned series, taken on by a publisher willing to find and coordinate the writers. <br /><br />With the development of Internet technology, I could also see this as a more haphazard wiki-type of series. One person would write the first piece and pose the choices faced by the main character at the end. Next, writers in cyberspace could pick up on one of the choices provided and write a sequel, again providing a series of choices at the end of that segment. To add extra interest, a cyberspace writer would also have the option of suggesting and writing about a different choice than was suggested by the original author. </span></div>
Carol Fertighttp://www.blogger.com/profile/15554940198163398903noreply@blogger.com1Denver, CO, USA39.7391536 -104.984703439.5437941 -105.3005604 39.934513100000004 -104.6688464